Sans Normal Muraw 3 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Gezart' by Ani Dimitrova, 'Matt' by Fontfabric, 'Telder HT Pro' by Huerta Tipográfica, 'Gardner Sans' by Lewis McGuffie Type, 'Mundo Sans' by Monotype, 'Glycerin' by ROHH, and 'Bajazzo' and 'Bajazzo Rounded' by Schriftlabor (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, punchy, playful, bold, retro, impact, approachability, display clarity, brand presence, rounded, soft corners, compact apertures, large counters, high impact.
A heavy, rounded sans with broad proportions and compact apertures. Strokes are thick and even, with softened terminals and a subtly squarish geometry that keeps curves from feeling purely circular. Counters are generous in letters like O and e, while joins and shoulders stay tight, producing a dense, graphic rhythm. The overall color on the page is very dark and stable, with sturdy diagonals and simplified shapes that prioritize silhouette over detail.
This font is well suited to headlines and short lines of text where a bold, friendly voice is needed—posters, signage, packaging, and brand marks. It performs best at display sizes, where its rounded construction and dense stroke weight read clearly and create a strong graphic block.
The tone is upbeat and approachable, with a slightly retro, poster-like presence. Its rounded massing and softened corners make it feel friendly rather than aggressive, while the weight and width deliver immediate impact. The result reads as confident, fun, and attention-grabbing.
The design appears intended to provide a soft-edged, high-impact sans for attention-focused typography. It aims for quick recognition through sturdy silhouettes and simplified internal shapes, balancing approachability with strong visual presence.
Uppercase forms feel blocky and strong, while lowercase keeps the same rounded construction with straightforward, single-storey-style simplicity where applicable. Numerals are equally robust and open, designed to match the headline-centric texture of the letters. Spacing in the samples appears comfortable for display use, keeping shapes distinct even at large sizes.