Sans Faceted Yifa 11 is a bold, very wide, medium contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, gaming ui, event graphics, sporty, futuristic, aggressive, industrial, dynamic, speed cue, impact display, tech feel, brand texture, attention grab, slanted, angular, faceted, chiseled, compressed counters.
A heavy, right-slanted display sans with sharply faceted construction that turns curves into planar cuts and hard corners. Forms are broad and low with wide proportions, sturdy verticals, and tight internal counters that amplify density. Several glyphs feature a distinctive midline break/cut running through the letterforms, creating a segmented, speed-stripe effect and a strong horizontal rhythm. Terminals are blunt and squared, bowls are boxy and clipped, and diagonals are crisp, producing a technical, machined silhouette that stays consistent across caps, lowercase, and numerals.
Best used in short, high-impact settings such as headlines, posters, team or competition identities, product marks, and bold interface titling where its angular segmentation can be a feature. It also suits tech, automotive, and action-oriented campaigns that benefit from a sense of speed and engineered toughness.
The overall tone is fast, forceful, and performance-oriented—evoking motorsport graphics, athletic branding, and sci‑fi interfaces. The sliced midline detail adds urgency and motion, giving the type a tactical, high-impact voice suited to attention-grabbing statements.
The design appears intended to deliver maximum impact with a wide, slanted stance and a signature horizontal cut that suggests motion and precision machining. Its faceted geometry prioritizes a hard-edged, modern aesthetic over neutral text clarity, positioning it as a confident display face for branding and titling.
The font’s interior spaces are relatively small for its stroke weight, so readability improves with generous tracking and at larger sizes. The midline cut is a defining stylistic motif that can create visual texture in headlines but may become busy in long passages or at small sizes.