Hollow Other Ibla 5 is a regular weight, wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, packaging, kids, craft branding, playful, handmade, quirky, retro, crafty, decorative texture, playful display, handmade feel, signage style, outlined, inline, stencil-like, monoline, rounded.
A rounded, monoline display face built from an outer outline with internal inline contours and irregular knockout marks that create a hollow, cut-out look. Curves are smooth and generously rounded, while joins stay simple and geometric, giving the alphabet a friendly, constructed feel. The interior detailing varies by letter, introducing a hand-drawn rhythm and a lightly distressed, punched-through texture. Figures and lowercase follow the same outlined construction, with open counters and clear silhouettes that remain legible despite the decorative interior breaks.
Best suited to short headlines, posters, logos, and packaging where the outlined construction and interior cutouts can read as intentional texture. It also works well for playful branding, event graphics, and kid-oriented or craft-themed applications. Use larger sizes or generous line spacing to keep the internal detailing from visually filling in.
The overall tone is playful and crafty, with a lighthearted DIY energy that feels part retro sign-painting and part paper-cut stencil. The uneven internal cutouts add a whimsical, animated quality, making text feel lively and informal rather than technical or corporate.
The font appears designed to deliver a distinctive hollow display look with extra personality from irregular internal cutouts, balancing clear rounded letterforms with a decorative, handmade texture. The goal seems to be instant visual flavor—more like a crafted sign or cut-paper style than a neutral text face.
Spacing and shapes read comfortably in the sample text, but the busy interior knockouts become more prominent as size decreases, shifting the emphasis from pure readability to texture and character. The design’s distinctive identity comes primarily from its outlined strokes and the irregular internal perforation pattern, which gives each glyph a slightly individualized finish.