Sans Other Obpe 9 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Deep Rising' by BA Graphics, 'Memesique' by Egor Stremousov, 'Muller Next' by Fontfabric, 'PODIUM Soft' by Machalski, 'Nicon' by Sign Studio, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, sports branding, industrial, retro, assertive, game-like, mechanical, impact, distinctiveness, retro display, industrial feel, high contrast, angular, geometric, blocky, condensed caps, stencil-like counters.
A heavy, all-caps–leaning geometric sans with squared silhouettes, sharp corners, and largely straight-sided strokes. Forms are built from chunky rectangular components with occasional diagonal cuts and notched joints, producing a rigid, engineered rhythm. Counters tend to be small and often rectangular, and several letters use slit-like apertures that read as cutouts rather than open bowls. The lowercase is stylistically aligned to the uppercase, with simplified shapes and minimal curvature, emphasizing a modular, constructed feel.
Best suited to short, high-contrast settings such as posters, headlines, brand marks, and packaging where bold shapes can carry from a distance. It also fits game UI titles, team or event branding, and other applications that benefit from an industrial or retro display voice. Use larger sizes or ample tracking when you need the interior cutouts to stay clear.
The overall tone is tough and utilitarian, with a distinctly retro display energy that can feel arcade- or poster-driven. Its dense black shapes and angular cut-ins add an aggressive, high-impact character that reads as mechanical and purposeful rather than friendly or conversational.
The design appears intended as a high-impact display sans that prioritizes graphic presence over text neutrality. By combining rigid geometry with consistent notches and compact counters, it aims to deliver a distinctive, engineered look that stands out in branding and title treatments.
Spacing and letterfit in the sample text create a tight, compact texture, and the small internal openings can fill in at smaller sizes. The design’s signature comes from its consistent use of squared terminals and inset cutouts, which gives it a pseudo-stenciled, machined look without traditional stencil bridges.