Sans Superellipse Adnab 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, 'Eurostile SH' by Scangraphic Digital Type Collection, and 'Eurostile' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, product design, signage, headlines, branding, clean, modern, neutral, friendly, technical, clarity, modernity, systematic design, approachability, versatility, monoline, rounded, open apertures, generous spacing, high legibility.
A clean, monoline sans with softly squared curves and rounded corners that give many forms a superellipse feel. Strokes are even and crisp, with straight-sided verticals and smooth, controlled arcs in bowls and counters. Proportions are balanced and readable, with open apertures and clear joins; the lowercase shows a single-storey “a” and “g,” a simple “t,” and a compact, straightforward “r.” Figures are uncomplicated and geometric, with rounded shapes in 0/8/9 and a clean, linear construction in 1/4/7.
Works well for UI and product text where clarity and consistency are critical, and it scales nicely for headings thanks to its simple geometry and even stroke color. The rounded-square construction also makes it a strong choice for wayfinding, dashboards, packaging, and modern brand systems that want a soft technical voice.
The overall tone is modern and matter-of-fact, with a friendly softness from the rounded-rectangle shaping rather than overt personality. It reads as calm, dependable, and slightly tech-leaning—suited to interfaces and contemporary branding without feeling cold.
Likely designed to deliver a highly legible, contemporary sans that feels systematic and geometric while staying approachable. The superellipse-like rounding and restrained detailing suggest an intention toward clean digital communication and versatile everyday typography.
The capitals have a clean, engineered rhythm (notably in E/F/T and the diagonals of K/V/W/X), while round letters like O/Q/C keep a squared-off roundness that maintains consistency across the set. The Q’s tail is minimal and integrated, and terminals tend to end cleanly rather than with calligraphic flare.