Sans Superellipse Agnop 7 is a light, narrow, low contrast, upright, normal x-height font visually similar to 'Plau' by Plau (names referenced only for comparison).
Keywords: ui labels, app design, wayfinding, product branding, infographics, clean, technical, friendly, modern, minimal, clarity, modernization, approachability, systematic design, rounded corners, monoline, soft geometry, tall proportions, compact terminals.
This font is a monoline sans with softly squared curves and rounded-rectangle construction throughout. Strokes keep an even thickness with rounded corners and calm, controlled joins, producing smooth, compact counters in letters like O, e, and g. Proportions are tall and space-efficient, with simple, open apertures and restrained terminals; uppercase forms feel streamlined, while lowercase maintains a tidy rhythm with minimal modulation. Numerals match the same rounded geometry, with clean, utilitarian shapes that sit comfortably alongside the letters.
It performs well in UI labels, dashboards, and product surfaces where clarity and compactness matter, and it can also support signage and wayfinding thanks to its steady rhythm and simplified shapes. The rounded geometry makes it suitable for contemporary brand systems, infographics, and general-purpose text where a clean, friendly technical voice is desired.
The overall tone is modern and approachable, combining a technical, engineered feel with gentle rounding that softens the voice. It reads as pragmatic and orderly rather than expressive, lending a calm, contemporary character suited to clean interfaces and informational settings.
The design appears intended to deliver a contemporary sans built from rounded-rectangular geometry, emphasizing consistency and clarity while avoiding sharpness. Its controlled stroke behavior and softened corners suggest a goal of being both functional and welcoming in modern digital and environmental contexts.
Distinctive moments come from the rounded-rectangle bowls and the slightly squared-off curvature that gives the design a “soft grid” feel. The family’s geometry keeps text looking consistent and composed in longer passages, with a measured, unfussy cadence.