Sans Faceted Ildo 4 is a light, very wide, monoline, upright, tall x-height font.
Keywords: ui labels, tech branding, headlines, posters, wayfinding, futuristic, technical, digital, industrial, sci‑fi, systematic design, interface clarity, sci‑fi tone, geometric cohesion, octagonal, chamfered, rounded corners, geometric, squared counters.
A geometric sans built from straight segments and chamfered turns, with curves largely replaced by faceted, octagonal forms. Strokes stay consistent and clean, with rounded terminals and softened corners that keep the angular construction from feeling brittle. The letterforms are wide and open, with generous internal space and a uniform, engineered rhythm; counters in shapes like O, Q, and 0 read as squared-off rounds. Distinctive details include the angled apex on A, the segmented bowls on B/R/P, and the angular diagonals in K, V, W, X, and Y, all drawn to a consistent grid-like logic.
Well-suited to interface typography, on-device labeling, and tech-forward brand systems where a geometric, engineered voice is desired. It also performs well in large-format settings—headlines, posters, and signage—where the faceted silhouettes and open counters can be appreciated.
The faceted geometry and even stroke make the font feel futuristic and instrument-like, with a controlled, technical tone. Its wide stance and rounded chamfers give it a friendly, consumer-electronics flavor rather than a harsh industrial edge, suggesting sci‑fi interfaces and modern hardware labeling.
The design appears intended to translate a grid-based, faceted construction into a readable sans, balancing sharp planar geometry with rounded joins for smooth, contemporary usability. The consistent segmentation across letters and numerals suggests a deliberate system meant to feel cohesive in digital and industrial contexts.
Numerals follow the same segmented construction, with a notably angular 2 and 7 and an octagonal 0 that matches the letter O closely. Lowercase forms echo the uppercase geometry, keeping bowls and joints consistent; the overall set prioritizes uniformity and clear silhouette over calligraphic contrast.