Sans Contrasted Jali 6 is a bold, very wide, very high contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, album covers, packaging, art deco, futuristic, display, geometric, industrial, deco revival, graphic impact, modular construction, logo styling, retro-future feel, stencil-like, inline, segmented, monoline accents, blocky.
A geometric, display-oriented sans with heavy rectangular stems and sharply cut terminals, contrasted by hairline inlines and occasional open counters. Many glyphs are constructed from segmented forms—vertical slabs paired with curved bowls that are partially sliced away—creating a stenciled, modular feel. Curves are generally round and clean, while diagonals (notably in V/W/X/Y/Z) are angular and blade-like. Spacing appears intentionally irregular across letters, emphasizing a constructed, logo-style rhythm rather than continuous text evenness.
Best suited for short, large-size applications such as posters, titling, branding marks, and packaging where the segmented geometry can read clearly. It can work well for sci‑fi, retro-futurist, or Deco-inspired themes, and as a secondary display face paired with a simpler text font. For long passages or small UI sizes, the thin internal cuts and unconventional counters may reduce legibility.
The font conveys a sleek, engineered attitude with strong Art Deco and machine-age cues. Its sliced bowls and inline cuts read as futuristic and technical, giving headlines a sense of motion and precision. The overall tone is assertive and stylized, prioritizing personality over neutrality.
The design appears intended to reinterpret geometric sans forms through a modular, cut-and-constructed system, adding high-impact styling via sliced bowls and inline detailing. The goal seems to be strong visual identity and period flavor (Deco/retro-future) rather than neutral readability.
Distinctive “split” construction shows up repeatedly in round letters (C/G/O/Q and related lowercase), and several characters use thin horizontal accents that can visually disappear at small sizes. Numerals echo the same segmented logic, with especially graphic shapes in 2, 3, 5, 6, and 9 that favor style over conventional clarity.