Sans Superellipse Fogoj 7 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Artegra Sans' by Artegra, 'Neusa Neu' by Inhouse Type, and 'Brinnan' by Typogama (names referenced only for comparison).
Keywords: sports branding, racing graphics, headlines, posters, gaming ui, sporty, futuristic, energetic, industrial, assertive, impact, speed, modernity, branding, display, oblique, rounded, squared, chunky, streamlined.
A heavy, oblique sans with broad proportions and rounded-rectangle construction. Corners are generously filleted, curves tend toward superellipse-like bowls, and terminals finish with blunt, squared-off cuts that keep the texture compact and graphic. Counters are relatively tight, strokes stay even, and the overall rhythm is driven by forward-leaning geometry and consistent rounding rather than calligraphic modulation. Figures and capitals read as blocky and stable, with softened edges that prevent the weight from feeling harsh.
Best suited to short, high-impact settings such as sports branding, event and poster headlines, product marks, packaging callouts, and gaming or tech UI titling. It can work for subheads or short blurbs where a compact, forward-driving texture is desirable, but it is visually intense for long-form reading.
The tone feels fast and performance-oriented, with a contemporary, tech-leaning edge. Its combination of mass, rounding, and slant suggests speed, impact, and engineered precision—more “race livery” than editorial refinement.
The design appears aimed at delivering maximum punch with a sleek, speed-coded silhouette: a bold, slanted sans built from rounded, squared geometry for modern display work. The consistent rounding and blocky structure suggest an intention to balance aggression with approachability while preserving a distinctly contemporary, engineered feel.
The strong slant and dense letterforms create a dark typographic color, especially in longer lines. Rounded corners help maintain clarity at display sizes, while the tight apertures and compact counters can make small sizes feel crowded in continuous text.