Sans Normal Nodag 14 is a very bold, wide, low contrast, upright, normal x-height font visually similar to '1955' by Alan Smithee Studio, 'Hando' by Eko Bimantara, 'Realgar' by Emtype Foundry, 'PT Schimetrik' by Paavola Type Studio, and 'Bassen' by SRS Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, confident, friendly, modern, playful, impact, approachability, clarity, modernity, simplicity, geometric, rounded, blocky, compact, clean.
This typeface is built from heavy, geometric strokes with rounded bowls and soft corners that keep the mass from feeling harsh. Curves tend toward near-circular construction (notably in O, C, and o), while straight-sided letters like E, F, H, and N use broad, even terminals and consistent stroke weight. Counters are relatively small for the overall thickness, and apertures are moderately closed, giving the face a dense, punchy texture in text. The lowercase shows simple, sturdy forms with a single-storey a, a single-storey g, a short-armed r, and a flat-topped t, maintaining a cohesive, utilitarian rhythm.
It performs best where strong visual impact is needed: headlines, posters, bold brand marks, packaging callouts, and short signage messages. In longer passages, the heavy color and tighter-looking counters can become visually dense, so it’s most effective when used for display typography, short statements, or emphasis within layouts.
The overall tone is assertive and upbeat, with a contemporary, poster-ready energy. Its rounded geometry and stout proportions read as approachable and friendly while still feeling direct and impactful. The texture suggests a no-nonsense display voice that can lean playful when set large.
The design appears intended to deliver maximum presence with simple, geometric letterforms and a friendly rounded finish. Its consistent weight and straightforward construction prioritize clarity at large sizes and create a distinctive, modern voice for attention-grabbing typographic applications.
The numerals share the same chunky, rounded construction and read clearly at display sizes, with strong silhouettes and consistent weight. Diacritics or punctuation beyond what is shown cannot be inferred, but the provided sample demonstrates solid presence in multi-line settings where the dense color becomes a defining feature.