Print Byloh 3 is a very light, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, ui display, futuristic, playful, airy, techy, whimsical, distinctive display, modern sketch, lightweight presence, geometric play, monoline, outlined, geometric, rounded, open counters.
A delicate, monoline outline face built from thin strokes and broad, rounded bowls. The construction leans geometric with softly flattened curves, frequent open apertures, and occasional interior cross-strokes that read like lightly sketched inlines. Terminals tend to be clean and understated, with a mix of straight stems and gentle arcs that creates a roomy, spacious rhythm across words. Overall spacing feels open and breathing, emphasizing the letter silhouettes rather than dense color on the page.
Best suited to display settings where the thin outline can be appreciated—headlines, posters, titles, and branding marks. It can also work for short UI labels or tech-themed graphics when set large enough and given ample contrast, but it’s less appropriate for dense, long-form reading.
The tone is light, friendly, and slightly futuristic, with a quirky hand-drawn precision that suggests techy interfaces or concept sketching. Its airy outlines and wide forms give it a modern, experimental character while staying approachable and informal.
The design appears intended to merge casual, hand-drawn informality with a clean geometric framework, producing an experimental outline look that feels contemporary and light. The goal seems to be distinctive, spacious letterforms that create personality without visual heaviness.
Because the design is outline-based and extremely fine, it relies on sufficient size and contrast to remain clear; small sizes or busy backgrounds may cause the forms to fade. The numeral set follows the same open, geometric logic, keeping a consistent, minimal presence in running text or short data labels.