Sans Superellipse Hamuv 6 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Aguda' and 'Aguda Stencil' by Graviton; 'Bantat', 'Karnchang', and 'Phatthana' by Jipatype; and 'Olney' by Philatype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, tech, industrial, modern, sporty, assertive, geometric system, high impact, modern utility, signage clarity, squared, rounded corners, compact counters, blocky.
A geometric sans with squared, superellipse-like curves and consistently rounded outer corners. Strokes are heavy and even, with minimal contrast and a stable, upright construction. Counters tend to be compact and rectangular, and many joins terminate in blunt, flat cuts that emphasize a blocky silhouette. The lowercase shows single-storey forms (notably a and g) with simple, sturdy terminals, while capitals maintain broad proportions and clear interior spacing for a dense, high-impact rhythm.
Best suited to headlines, titles, and short blocks of copy where a sturdy, geometric voice is desired. The dense shapes and squared-round contours work especially well for tech branding, sports and automotive-style identities, packaging fronts, and large-format signage where impact and consistency are priorities.
The overall tone is contemporary and engineered, leaning toward a tech and industrial feel. Its squared-round geometry reads confident and utilitarian, with a slightly sporty, display-forward energy that favors presence over delicacy.
The design appears intended to translate rounded-rectangle geometry into a practical, high-impact sans that stays clean and legible while projecting a modern, engineered personality. It prioritizes uniform stroke weight, strong silhouettes, and a cohesive superellipse system across letters and numerals.
Round characters (O, Q, 0) are drawn as rounded rectangles rather than circles, reinforcing a consistent superellipse motif across the set. Diagonals in letters like A, V, W, X, and Y are strong and straightforward, pairing well with the font’s blunt horizontals and verticals. Numerals follow the same squared-round logic, producing a cohesive, signage-like texture.