Sans Superellipse Hadol 2 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Francker' and 'Francker Paneuropean' by Linotype and 'Olney' by Philatype (names referenced only for comparison).
Keywords: headlines, logos, posters, ui labels, signage, techno, industrial, futuristic, gaming, retro sci-fi, modular system, tech branding, impactful display, interface clarity, squared, rounded corners, geometric, monoline, angular joins.
A geometric sans built from squared-off, superellipse-like bowls and rounded-rectangle counters. Strokes are monoline with flat terminals, producing crisp edges and a steady, engineered rhythm. Curves resolve into corner radii rather than true circles, and many forms lean on straight segments with chamfered or rounded transitions. The proportions read compact and sturdy, with broad letterforms, open apertures, and simplified construction that stays consistent across caps, lowercase, and numerals.
Best suited to headlines and short text where its geometric character can carry the design, such as posters, product branding, game titles, and tech-themed identities. It also works well for UI labels, dashboards, and signage where a sturdy, high-impact sans with squared rounding helps maintain clarity at a glance.
The overall tone is technical and synthetic, with a display-forward voice that suggests interfaces, hardware labeling, and sci‑fi graphics. Its squared geometry and blunt endings feel assertive and utilitarian, while the rounded corners keep it approachable rather than harsh.
The design intention appears to be a modern, modular sans that translates rounded-rectangle geometry into a consistent, system-like alphabet. It prioritizes a strong silhouette and repeatable shapes to evoke a contemporary techno mood while staying clean and legible for display use.
The caps emphasize squarish bowls (notably in C, D, G, O, Q) and a strong vertical stress. Lowercase continues the same modular logic, with single-storey a and g and a minimal, rectilinear feel in curves. Numerals follow the same squared geometry, with a notably boxy 0 and segmented-looking 2 and 3 that reinforce the constructed aesthetic.