Sans Rounded Gepe 2 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Black Square' and 'Kabyta' by Agny Hasya Studio, 'QB One' by BoxTube Labs, 'FX Ambasans' by Differentialtype, 'Mercurial' by Grype, 'Olney' by Philatype, and 'RBNo3.1' by René Bieder (names referenced only for comparison).
Keywords: ui labels, app design, wayfinding, headlines, branding, futuristic, techy, friendly, clean, playful, modernization, approachability, clarity, system design, rounded, geometric, soft corners, monoline, compact counters.
A monoline sans with generously rounded corners and smoothly curved joins, creating a soft-rectangular, geometric feel. Strokes stay even throughout with minimal modulation, and curves are drawn with squared-off radii that keep forms crisp rather than bubbly. The lowercase is large relative to the capitals, with compact apertures and counters that read as rounded rectangles in letters like o, e, and d. Overall spacing feels steady and contemporary, with simplified, schematic shapes (notably in the a, g, and s) that emphasize clarity and consistency.
Well-suited to product UI, dashboards, and navigation labels where a clean, contemporary voice is needed without harsh edges. Its sturdy, rounded construction also works for short headlines, logotypes, and branding in technology, gaming, and consumer electronics contexts.
The rounded-square construction and uniform stroke weight give the font a modern, tech-oriented tone that still feels approachable. It balances a utilitarian, interface-like precision with a mild playfulness from the softened terminals and friendly proportions.
The design appears intended to deliver a modern, screen-forward sans that combines geometric efficiency with softened corners for a more welcoming presence. The consistent monoline drawing and simplified letterforms suggest a focus on dependable legibility and a cohesive, system-like aesthetic.
Figures follow the same rounded-rect geometry, with open, straightforward forms and a clear, linear rhythm across the set. Diagonals (as in V, W, X, and Y) are clean and stable, and the punctuation and dots appear as neatly rounded elements that match the overall corner language.