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Print Fyma 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Skate' by DearType, 'Astern Shade' and 'Fendesert' by Edignwn Type, 'Ad Design JNL' by Jeff Levine, 'Fort Yukon' by Larin Type Co, 'Colosso' by More Etc, and 'Merchanto' by Type Juice (names referenced only for comparison).

Keywords: posters, packaging, headlines, children’s media, stickers, playful, quirky, friendly, handmade, retro, expressiveness, approachability, handmade feel, display impact, whimsy, chunky, rounded, blobby, bouncy, soft-edged.


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A chunky, rounded display face with heavy, blobby strokes and soft corners that read like marker or painted letterforms. The shapes are compact and slightly irregular, with a hand-drawn wobble that creates a lively rhythm across words. Counters are small and often asymmetrical, and terminals tend to bulb out or flatten, emphasizing a tactile, inked feel. Overall spacing appears tight and compact, supporting bold, attention-grabbing set text.

Best suited for short, bold copy such as posters, headlines, product packaging, labels, stickers, and social graphics where personality is more important than neutrality. It also fits children’s materials and playful branding, especially in contexts that benefit from a handmade, friendly voice.

The tone is lighthearted and informal, with a cartoon-like warmth that feels approachable rather than polished. Its uneven contours and bouncy silhouettes give it a cheeky, spontaneous personality suited to fun, casual messaging. The look leans nostalgic in a general “handmade poster” way, evoking playful signage and kid-friendly branding.

The design appears intended to deliver a strong, high-impact display look while preserving the charm of hand-drawn imperfections. Its compact, rounded construction and intentionally uneven outlines suggest a focus on expressive, casual communication for fun, attention-forward typography.

The font maintains consistent weight while allowing visible per-glyph idiosyncrasies, which helps it feel authentically hand-rendered. At larger sizes the organic texture and lumpy terminals are a feature; at smaller sizes, the small counters and dense color may reduce clarity in long text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸