Sans Superellipse Ukrag 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'FX Neofara' by Differentialtype, 'Chamferwood JNL' by Jeff Levine, 'Block Capitals' by K-Type, 'Evanston Tavern' by Kimmy Design, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, poster, urban, compact, impact, space saving, branding, durability, condensed, blocky, rounded corners, squared, monoline.
A compact, heavy sans with a strongly squared construction softened by generous corner rounding. Strokes are monoline and uniform, producing dense, high-impact letterforms with tight interior counters and sturdy verticals. Curves resolve into rounded-rectangle shapes (notably in C, G, O, and digits), while joins stay blunt and clean for a machined, modular feel. Lowercase forms follow the same block logic, with a single-storey a and g, and a small, square t crossbar that reinforces the rigid rhythm.
Best suited to short, high-impact settings such as headlines, posters, sports and event graphics, packaging, and bold wayfinding or signage. It can also work for brief subheads or labels where a compact, rugged texture is desirable, especially at larger sizes.
The overall tone is assertive and utilitarian, with a sporty, industrial presence that reads like stenciled signage or team branding. Its compact proportions and squared curves give it an urban, no-nonsense voice that feels modern and workmanlike rather than delicate or expressive.
The font appears designed to deliver maximum visual punch in a condensed footprint, using rounded-rectangle geometry to stay friendly at the corners while remaining firmly blocklike. Its consistent, monoline construction suggests an emphasis on clarity, repeatable shapes, and strong brand presence.
The design maintains consistent corner radii across straight and curved components, which helps long lines of text feel uniform and tightly packed. Openings and apertures are relatively small, emphasizing weight and solidity; the punctuation and figures match the same rounded-rectangle logic for a cohesive texture.