Sans Superellipse Uknoy 4 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Berber' by Letterbox, 'Airbuzz' by Spinefonts, 'Forthland' by Uncurve, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, game ui, tech, industrial, retro, utilitarian, game-like, compact impact, system branding, interface styling, retro-tech, blocky, rounded corners, squared, compact, stencil-like counters.
A compact, heavy sans with squared, superellipse-like bowls and consistently rounded outer corners. Strokes read largely uniform, with tight apertures and small, rectangular counters that give letters a punched, stencil-like feel (notably in B, D, O, P, R, and 8). Terminals are flat and decisive, and diagonals (V, W, X, Y) keep a sturdy, engineered rhythm. Lowercase forms mirror the uppercase’s geometric construction, with simple single-storey shapes and minimal modulation, producing a strongly modular texture in lines of text.
Best suited to short, high-impact settings such as headlines, posters, logo wordmarks, packaging titles, and game or app UI labels where a compact, engineered look is desired. It can also work for signage or product markings when used at sizes that preserve the small counters and tight apertures.
The overall tone feels technical and machine-made, combining a retro digital flavor with a functional, industrial bluntness. Its squared rounding and dense interior spaces evoke arcade, sci‑fi interface, and equipment labeling aesthetics, while remaining straightforward rather than playful or decorative.
The design appears intended to deliver maximum presence in a compact footprint, using rounded-rectangle geometry and uniform stroke weight to create a cohesive, industrial display voice. The consistent construction across caps, lowercase, and numerals suggests an emphasis on system-like branding and interface readability at medium to large sizes.
Spacing appears tight and the interior counters are intentionally small, which increases impact but can reduce clarity at smaller sizes or in long passages. The ‘1’ is a simple vertical with minimal shaping, and figures follow the same squared-rounded geometry as the letters for a consistent, display-oriented set.