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Free for Commercial Use

Serif Normal Pydoy 3 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'Poster Bodoni' and 'Poster Bodoni WGL' by Bitstream, 'Chamberí' by Extratype, 'Quase Poster' by Monotype, and 'Poster Bodoni' by Tilde (names referenced only for comparison).

Keywords: headlines, magazine titles, book covers, posters, branding, editorial, classic, authoritative, dramatic, formal, editorial impact, classic authority, display emphasis, high-contrast refinement, bracketed, ball terminals, rounded serifs, soft joins, display weight.


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This serif shows heavy, confident letterforms with pronounced thick–thin modulation and softly bracketed, rounded serifs. Curves are generous and slightly bulbous, with occasional ball terminals and teardrop-like ends that add weight to the lower portions of letters. Counters are relatively tight for the weight, while apertures remain clear enough for strong silhouette recognition. The overall rhythm is sturdy and stable, with a traditional baseline presence and a compact, emphatic texture in text settings.

This design is well suited for headlines, magazine mastheads, and bold editorial pull quotes where a classic serif presence is desired. It can also work effectively on book covers, posters, and branding systems that need a traditional voice with extra impact and contrast.

The font conveys a classic, editorial tone with a dramatic, headline-forward voice. Its strong contrast and rounded finishing details feel both traditional and slightly theatrical, giving it an assertive, attention-grabbing character without becoming ornate.

The likely intention is to deliver a conventional serif structure amplified for display use, combining traditional proportions with heavier weight and heightened contrast to create a strong editorial statement. Rounded serifs and terminal details appear designed to keep the mass feeling polished and readable rather than rigid.

In running text, the dense stroke weight creates a dark color and pronounced word shapes, making it best suited to larger sizes. Numerals match the same robust, high-contrast construction and read as formal and old-style in spirit, supporting a cohesive typographic palette across headings and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸