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Sans Superellipse Gukam 5 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka (names referenced only for comparison).

Keywords: ui labels, app branding, headlines, wayfinding, packaging, techy, friendly, retro, futuristic, industrial, geometric clarity, softened tech, systematic rhythm, distinct identity, rounded, soft corners, geometric, compact, sturdy.


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A rounded, geometric sans built from squarish curves and superellipse-like bowls, with consistently softened corners throughout. Strokes are even and smooth, with tight-looking joins and a compact, efficient footprint in many letters. Counters tend to be rectangular-oval rather than circular, and curves often resolve into gentle flats, giving a “rounded-rectangle” rhythm. Uppercase forms feel wide and stable with squared shoulders (notably in C/G/O/Q), while lowercase follows the same geometry with simple, utilitarian constructions and minimal contrast. Numerals mirror the same blocky-round logic, reading clearly with broad, open shapes and flat terminals.

Well-suited for interface labels, product branding, and short headlines where a clean, rounded-tech voice is desired. The compact, squared-off curves also work well for signage and packaging systems that benefit from a sturdy, highly consistent visual rhythm. It can be effective in entertainment or technology contexts where a retro-futuristic flavor is appropriate.

The overall tone blends friendly softness with a crisp, engineered sensibility. Its rounded corners and square-ish curves evoke retro tech and sci‑fi interfaces, while the steady, uniform drawing keeps it practical and matter-of-fact. The result feels approachable but decidedly modern, with a hint of arcade/space-age nostalgia.

The font appears intended to merge geometric clarity with softened, approachable edges, using superellipse-derived forms to create a distinctive, system-like texture. Its consistent stroke and modular curves suggest an aim for reliable reproduction across sizes while maintaining a recognizable, tech-leaning personality.

The design relies on repeated modular curves, so text looks very consistent and patterned in longer settings. Some glyphs introduce slightly angled cuts (e.g., diagonals in K/V/W/X/Y and the tail on Q), adding motion and preventing the geometry from feeling overly rigid.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸