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Free for Commercial Use

Sans Normal Atruv 2 is a light, wide, medium contrast, upright, normal x-height font.

Keywords: posters, album art, titles, brand marks, packaging, glitchy, industrial, experimental, raw, techy, add texture, signal grit, create edge, stylize tech, distressed, eroded, stenciled, broken, high-contrast.


Free for commercial use
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A clean, geometric sans foundation is overlaid with irregular voids and cut-ins that create a distressed, almost stenciled texture across many strokes. Curves are smooth and fairly circular in the O/C/G family, while straight stems and bars remain crisp, producing a consistent modern skeleton beneath the damage. The disruption appears as sharp chips, slashes, and missing segments that vary by glyph but follow a coherent “eroded” pattern, giving the set a deliberately degraded print or digital artifact feel. Numerals and lowercase keep the same structural logic, with open counters and simple joins that preserve clarity despite the breaks.

This design is well suited to display settings such as posters, title treatments, album/film graphics, and branding that benefits from a worn or glitch-inflected voice. It can also work for packaging or apparel graphics where the distressed texture is part of the identity. For longer passages, it’s best used sparingly or at larger sizes to keep the intentional erosion from reducing readability.

The overall tone feels gritty and engineered—like signage that’s been worn down, or a clean interface typeface pushed through a glitch/decay filter. It reads contemporary and slightly aggressive, with an experimental edge that suggests tech, hacking, or underground editorial styling rather than polite corporate neutrality.

The likely intent is to combine a straightforward, geometric sans structure with a controlled distressed overlay to create instant character without sacrificing basic letter recognition. It aims to deliver a modern, utilitarian core while signaling grit, disruption, and texture in the surface details.

Because the distressing introduces small gaps and uneven texture, the font’s visual noise increases quickly as size decreases; it will look most intentional when the breaks are clearly visible. The effect is prominent but not so heavy that the underlying letterforms disappear, keeping the alphabet broadly recognizable in short text runs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸