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Slab Square Toko 7 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Good' by FontFont; 'Muller Next' by Fontfabric; 'Extra Old', 'Gin And Tonic', and 'Grandeux Serif' by Mans Greback; 'Uniform Italic' by Miller Type Foundry; and 'LFT Etica Sheriff' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, logotypes, retro, assertive, sporty, loud, friendly, display impact, retro advertising, brand presence, headline emphasis, chunky, wedge-serifed, bracketed, compact, impactful.


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This typeface uses heavy, rounded-rectangle forms with prominent slab-like serifs and firmly cut, flat terminals. Strokes are thick and even, with minimal contrast, and the italic slant is consistent across uppercase, lowercase, and figures. Counters are relatively small and tightly shaped, giving letters a compact, punchy texture, while the serifs read as sturdy wedges rather than delicate finishing strokes. Overall spacing and rhythm feel built for headline scale, with broad shoulders, blunt joins, and a strong, continuous silhouette.

This font is best suited to short, attention-grabbing settings such as headlines, posters, signage, packaging, and bold branding systems. It can also work for logo wordmarks where a sturdy, vintage-leaning italic voice is desired, but its dense shapes and tight counters suggest using it at larger sizes rather than for extended small text.

The overall tone is bold and energetic, with a retro, poster-like confidence. Its slanted, chunky shapes evoke classic advertising, sports branding, and workmanlike display typography—more exuberant and declarative than refined or quiet.

The design appears intended to deliver maximum impact with a confident italic thrust, combining sturdy slab serifs with compact, low-contrast construction for strong readability in display contexts. It aims for a classic, promotional feel—built to look loud, stable, and recognizable at a glance.

The numerals match the heavy, compact character of the letters and maintain the same italic forward motion. Lowercase forms keep the same muscular build as the caps, producing an even, high-impact color in text lines, especially at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸