Sans Normal Utrey 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'CamingoDos SemiCondensed' by Jan Fromm, 'Achates' by Karandash, 'TheSans' by LucasFonts, 'Werk' by Wilton Foundry, and 'Adora Condensed PRO' by preussTYPE (names referenced only for comparison).
Keywords: ui text, branding, editorial, headlines, captions, modern, clean, dynamic, friendly, unobtrusive, modern emphasis, readable italic, neutral utility, brand clarity, oblique, humanist, open counters, smooth curves, slanted terminals.
This typeface is a slanted sans with smooth, rounded construction and a gentle, consistent stroke. Curves are built from broad arcs and open bowls, with softly tapered joins and no sharp contrast between thick and thin. Proportions feel slightly lively, with a forward-leaning stance and subtly varied widths across letters; apertures stay open and counters remain clear at text sizes. Numerals follow the same rounded, oblique rhythm, maintaining even color without looking rigidly geometric.
It works well for UI and product typography where a slanted sans can add momentum and emphasis while staying readable. The even color and open forms also suit editorial decks, short to medium-length text, and brand systems that want a modern, approachable tone in headlines, captions, and supporting copy.
The overall tone is contemporary and approachable, with an energetic italic motion that feels active without becoming expressive or decorative. It reads as clean and efficient, suitable for interfaces and editorial settings that want a modern, friendly voice rather than a strict technical feel.
The design appears intended to provide an italicized sans with a smooth, contemporary surface and dependable legibility, balancing geometric roundness with practical, text-friendly openness. Its measured detailing suggests a focus on versatile everyday use rather than display-driven novelty.
The italic angle is consistent across caps, lowercase, and figures, producing a cohesive diagonal texture in paragraphs. Capital forms appear straightforward and uncluttered, while lowercase shapes emphasize readability through open forms and restrained detailing.