Sans Superellipse Fidoy 10 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Artegra Sans' by Artegra; 'Gltp Starion' by Glowtype; 'Moveo Sans' by Green Type; 'Belle Sans' by Park Street Studio; 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; 'Boxley' by Shinntype; and 'Nauman' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, sports identity, product ui, sporty, modern, assertive, technical, dynamic, impact, speed, modernization, robustness, brand distinctiveness, rounded corners, oblique slant, compact apertures, ink-trap hints, square curves.
A slanted sans with hefty, even stroke weight and a distinctly squared-off roundness: bowls and counters read as rounded rectangles rather than pure circles. Terminals are predominantly blunt and horizontal/vertical, with corners softened into superellipse-like curves, giving letters a solid, engineered feel. The rhythm is broad and stable, with large, sturdy capitals and slightly condensed inner counters in letters like B, P, and R. Numerals and lowercase show the same squared curvature and consistent stroke behavior, producing a uniform, high-impact texture in both grid and paragraph settings.
Best suited to bold headlines, posters, and branding systems that need a fast, modern voice. Its sturdy shapes and rounded-rect geometry also work well for product interfaces and dashboards where clarity and impact are prioritized over delicate typographic nuance.
The overall tone is energetic and performance-oriented, combining a contemporary, tech-industrial cleanliness with the forward motion of an oblique stance. It feels confident and direct, leaning toward sports branding and modern product aesthetics rather than editorial subtlety.
The design appears intended to deliver a strong, contemporary sans with a speed-driven slant and superelliptical rounding, balancing toughness with friendly corner softening. Its controlled apertures and blunt terminals suggest an emphasis on legibility at display sizes while maintaining a distinctive, engineered silhouette.
Round letters such as O and Q appear more squarish than circular, reinforcing the superelliptical construction. The lowercase a and e show compact, controlled apertures, and the s has a flattened, streamlined spine that reads well at larger sizes. The italic angle is consistent across caps, lowercase, and figures, helping long lines feel fast and cohesive.