Sans Superellipse Utkah 11 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Endeavor' by Lucas Tillian and 'Exalted Wide' by Zafara Studios (names referenced only for comparison).
Keywords: headlines, logotypes, branding, posters, packaging, techy, futuristic, industrial, confident, sporty, display impact, modern branding, tech aesthetic, clarity, rounded, squared, blocky, geometric, compact.
A heavy, wide sans with squared-off geometry softened by generous rounding, giving many letters a rounded-rectangle (superellipse) feel. Strokes are monolinear with minimal contrast, terminals are clean and mostly horizontal/vertical, and curves are built from smooth, controlled radii rather than calligraphic modulation. Round letters like O/Q are more squarish than circular, while diagonals (V, W, X, Y, Z) stay crisp and stable. The lowercase is sturdy and compact with a double-storey a, a single-storey g, and a generally broad, low-detail construction that keeps counters open and uniform at display sizes.
Best suited for attention-grabbing settings where width and weight can work as a graphic element: headlines, logo and wordmark exploration, product branding, packaging, and poster typography. It also fits UI or tech-oriented titling when you want a robust, geometric voice rather than a neutral text face.
The overall tone is modern and engineered, with a streamlined, slightly sci‑fi flavor driven by its wide stance and rounded-square forms. It feels assertive and functional—more like product design and machinery than editorial typography—while the softened corners keep it approachable rather than harsh.
The design appears aimed at a contemporary, geometric display sans that reads as engineered and modern, using rounded-square construction to balance strength with friendliness. Its broad proportions and simplified forms prioritize impact and consistency over delicate detail.
Spacing and rhythm read as intentionally roomy and horizontal, emphasizing width and presence. The numeral set matches the same rounded-square logic, with a particularly wide, stable ‘0’ and sturdy, sign-like figures that align well with the caps.