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Free for Commercial Use

Sans Normal Jamel 3 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Fusion Collection' by Blaze Type, 'Gremlin' by Hazztype, 'ITC Blair' by ITC, 'Polarix' by Peninsula Studioz, 'Bonga Sans' by Roughlines ID, and 'Exalted Wide' by Zafara Studios (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, modern, confident, friendly, clean, techy, impact, clarity, approachability, contemporary branding, display readability, rounded, geometric, soft corners, sturdy, high impact.


Free for commercial use
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A heavy, expanded sans with rounded geometry and smooth, continuous curves. Strokes are monolinear with blunt terminals, and counters are generously open, giving letters a stable, blocky silhouette without feeling harsh. Round forms (O, C, G, e) read as true ellipses, while diagonals (A, V, W, X, Y) are broad and even, maintaining consistent density across the set. The lowercase is simple and compact with single-storey a and g, a short, flat-topped t, and a straightforward, vertical i/j structure, contributing to an overall utilitarian, highly legible texture at display sizes.

Best suited to headlines, posters, and large-format messaging where its broad proportions and heavy weight can deliver clear impact. It also fits branding, packaging, and signage systems that benefit from a rounded, contemporary sans with strong presence and straightforward legibility.

The font projects a modern, straightforward tone with a friendly softness from its rounded construction. Its wide stance and solid color make it feel confident and assertive, suitable for contemporary branding and tech-adjacent communication without becoming aggressive.

The design appears aimed at delivering maximum visual impact and clarity through wide proportions, monoline construction, and rounded shapes. It prioritizes a clean, contemporary voice that remains approachable, balancing geometric structure with softened terminals for versatility in display-oriented typography.

Spacing and proportions emphasize breadth and stability, producing a strong horizontal rhythm in text. Numerals follow the same rounded, monoline logic; curved figures like 2, 3, 5, and 9 stay smooth and consistent, while 1 is a simple, minimal form that aligns with the set’s functional character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸