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Free for Commercial Use

Sans Normal Ebdeh 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Neue Helvetica Armenian', 'Neue Helvetica Paneuropean', 'Neue Helvetica Thai', 'Neue Helvetica World', and 'Neue Helvetica eText' by Linotype; 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Arabic' and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: ui design, editorial, branding, presentations, signage, modern, clean, dynamic, neutral, technical, clarity, utility, modernity, emphasis, oblique, monolinear, open apertures, rounded, geometric.


Free for commercial use
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A slanted, monolinear sans with smooth, geometric construction and generous curves. Strokes stay even throughout, with rounded joins and clean terminals that keep counters open and legible. Proportions are balanced and fairly spacious, with a straightforward, contemporary skeleton; rounded letters like C, G, O, and Q feel circular and controlled, while diagonals (A, K, V, W, X, Y) are crisp and consistent. Numerals are clear and simple, matching the same restrained, uniform stroke logic.

This font suits interface labels, dashboards, and product UI where a slanted sans can add momentum without sacrificing clarity. It also works well for editorial decks, reports, and modern branding systems that need a clean italic voice for emphasis, pull quotes, or secondary typography. The even strokes and open forms make it a solid option for signage and short-to-medium text settings.

The overall tone is modern and matter-of-fact, with a subtle sense of motion from the consistent slant. It reads as clean and practical rather than expressive, lending a contemporary, slightly technical feel suited to informational and product-forward design.

The design appears intended as a contemporary italic companion focused on clear communication: smooth geometry, consistent stroke behavior, and a controlled slant that adds energy while remaining neutral and versatile.

The italic angle is uniform across capitals, lowercase, and figures, helping create steady rhythm in running text. Letterforms avoid decorative quirks, emphasizing clarity through open shapes and predictable geometry.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸