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Free for Commercial Use

Sans Normal Abdad 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Articulo' by Gilar Studio, 'Identidad' by Punchform, 'Hidone' by RantauType, 'Nuber Next' by The Northern Block, and 'Hempa Sans' by Yukita Creative (names referenced only for comparison).

Keywords: ui labels, branding, advertising, headlines, posters, modern, clean, dynamic, neutral, utilitarian, emphasis, clarity, versatility, modernization, oblique, humanist, rounded, open apertures, soft terminals.


Free for commercial use
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This typeface is a slanted sans with smooth, rounded construction and a consistent, low-modulation stroke. Curves are drawn with clean elliptical geometry, while straights keep a steady angle and a crisp, uniform rhythm. Counters are generally open and legible, with soft terminals and a slightly humanist feel that keeps the forms approachable rather than strictly mechanical. Figures follow the same oblique stance and rounded logic, reading clearly with stable, uncomplicated shapes.

It works well for short to medium-length text where a clean italic tone is useful, such as UI labels, product branding, callouts, and promotional copy. The steady stroke and open counters also support readable headlines and subheads, especially when a sense of speed or emphasis is needed without resorting to decorative styling.

The overall tone is contemporary and efficient, with an energetic forward lean that suggests motion and emphasis without becoming flashy. Its smooth curves and open forms keep it friendly and accessible, suitable for straightforward communication where a modern slanted voice is desired.

The design appears intended as a practical italic companion for modern sans typography: clear, compact in feel, and visually consistent across letters and figures. Its rounded geometry and restrained detailing suggest a focus on general-purpose versatility and contemporary clarity rather than historical calligraphy.

The slant is strong enough to read as intentionally italic rather than merely oblique, and it stays consistent across capitals, lowercase, and numerals. Spacing in the samples appears even, supporting continuous reading while still giving individual letters a clear silhouette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸