Sans Faceted Ihmi 2 is a very light, wide, monoline, upright, normal x-height font.
Keywords: headlines, branding, posters, ui labels, tech packaging, futuristic, technical, minimal, precise, architectural, sci‑fi styling, system lettering, modern minimalism, interface clarity, geometric experimentation, angular, geometric, wireframe, modular, open counters.
A geometric display sans built from thin, even strokes and sharp corners, with curves largely replaced by squared and chamfer-like turns. Many glyphs use open forms and segmented construction (notably in C, G, S, and several numerals), creating a wireframe, faceted feel with generous interior space. Proportions lean broad and boxy, with a relatively low contrast presence that reads cleanly at larger sizes while becoming delicate in smaller text. The lowercase follows the same constructed logic, with single-storey forms and simplified terminals that keep the overall rhythm consistent.
Best suited to display settings where its delicate stroke and faceted geometry can be appreciated—headlines, logotypes, posters, and technology-forward branding. It also fits short UI/wayfinding labels or product markings when set at sufficient size and with ample tracking, but it’s less ideal for long-form reading or very small reproduction.
The tone is cool and engineered, evoking digital interfaces, schematic labeling, and sci‑fi signage. Its crisp, planar geometry feels systematic and forward-looking, with a restrained, minimal voice rather than expressive warmth.
The design intention reads as a constructed, geometry-first sans that prioritizes a futuristic, technical aesthetic over conventional typographic softness. By using open, planar forms and consistent monoline strokes, it aims to feel modular and systematized, like lettering drawn from a grid or schematic.
Spacing appears intentionally airy, letting the thin strokes and open counters breathe; this also emphasizes the font’s modular, grid-like logic. Several characters rely on distinctive structural cues (e.g., angular diagonals and partial bowls) rather than traditional curves, which boosts stylistic coherence but can make similar shapes feel closer at quick glance.