Sans Superellipse Oslaj 13 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Dezen Solid' by DizajnDesign, and 'Chandler Mountain' by Mega Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, friendly, playful, punchy, retro, impact, approachability, simplicity, brandability, rounded, soft, blocky, compact, sturdy.
A heavy, rounded sans with superelliptical construction: curves resolve into squarish arcs and corners are consistently softened rather than fully circular. Strokes are broadly even, with compact internal counters and a slightly condensed feel in many glyphs, giving the letters a dense, poster-ready color. Terminals are blunt and squared-off, and joins stay smooth and simplified, producing clear silhouettes with minimal detailing. The lowercase shows single-storey forms (notably a and g), a small-shouldered r, and a short, sturdy t, while figures are tall, blocky, and strongly weighted for impact.
Best suited to headlines, display typography, branding marks, packaging, and short, high-impact messaging where its dense weight and rounded geometry can do the work. It also performs well for signage or labels that benefit from bold, friendly shapes, while extended small text may feel heavy due to the compact counters.
The overall tone is approachable and energetic, with a chunky geometry that feels upbeat and slightly retro. Its rounded-rectangle shapes read as friendly rather than clinical, helping bold messaging feel less aggressive while still carrying a confident, attention-grabbing presence.
Likely designed to deliver maximum presence with softened geometry—combining sturdy, billboard-level weight with rounded-rectangle forms to keep the voice welcoming. The simplified construction and consistent curvature suggest an emphasis on clean, modern reproducibility and distinctive, logo-friendly silhouettes.
The design’s tight apertures and compact counters increase density at larger sizes and give lines a strong, uniform texture. Distinctive angular-to-rounded transitions in letters like S, C, and G reinforce the superelliptical theme and create a consistent, modular rhythm across the set.