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Free for Commercial Use

Sans Superellipse Olnal 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Handelson' by Melvastype, 'Nulato' by Stefan Stoychev, 'Gemsbuck Pro' by Studio Fat Cat, and 'Gineso' by insigne (names referenced only for comparison).

Keywords: headlines, signage, posters, logos, packaging, industrial, utilitarian, techy, modern, clarity, impact, modernization, durability, systematic, rounded corners, squared rounds, compact forms, high contrast-free, sturdy.


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A sturdy sans with superelliptical construction: curves resolve into rounded-rectangle bowls and corners rather than true circles. Strokes are consistently heavy and even, with flat terminals and a generally compact, squared-off silhouette. Counters are moderately open but clearly shaped, often with rectangular geometry (notably in forms like O, D, and 0), and join behavior stays clean and blunt. Uppercase proportions feel broad and stable, while lowercase maintains a practical, slightly condensed feel with simple, minimally articulated details.

Best suited to short, high-impact text such as headlines, posters, signage systems, and bold brand marks where its squared-round forms can define a strong visual identity. It can also work for labels and packaging where quick recognition and a sturdy texture are more important than delicate typographic nuance.

The tone is functional and engineered, suggesting control panels, equipment labeling, and contemporary technical branding. Its rounded-square geometry adds a friendly edge to an otherwise no-nonsense, industrial voice, keeping it approachable without becoming soft or playful.

The design appears intended to deliver a robust, modern sans with rounded-rectilinear forms that feel technical and dependable. It aims to balance strict geometry with softened corners for legibility and approachability in prominent, attention-getting applications.

Several glyphs emphasize mechanical clarity: the Q features a distinct tail, the G uses a straightforward horizontal bar, and numerals adopt squared, sign-like shapes that read well at a glance. Overall spacing and rhythm prioritize uniform blocks of texture, producing a dense, confident line in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸