Sans Superellipse Dulok 10 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'B52' by Komet & Flicker, 'Purista' by Suitcase Type Foundry, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, ui labels, branding, posters, packaging, tech, industrial, futuristic, confident, utilitarian, impact, modernity, clarity, systematic geometry, tech tone, rounded corners, squared curves, geometric, compact, high contrast shapes.
A heavy, geometric sans with rounded-rectangle (superelliptical) construction throughout. Strokes are uniform and firm, with corners consistently softened and terminals cleanly squared off rather than tapered. Counters tend to be rectangular with generous rounding, giving letters like O, D, P, and a a boxy-yet-smooth interior rhythm. Proportions feel compact and stable, with wide, flat horizontals and minimal stroke modulation, producing an even, engineered texture in both caps and lowercase.
Works best where bold, high-impact letterforms are needed: headlines, logos, product branding, posters, and packaging. Its squared-round geometry also suits interface labels, dashboards, and on-screen graphics where a technical, structured tone is desirable.
The overall tone is modern and technical, with an industrial, engineered feel. Rounded corners keep it approachable, but the squared curves and compact geometry read as confident and purpose-built, reminiscent of contemporary UI, hardware labeling, and sci‑fi interface typography.
The design appears intended to deliver a robust, contemporary sans built from superelliptical shapes, balancing strict geometry with softened corners for friendliness. It emphasizes consistency, legibility, and a distinctly modern, tech-forward character.
Caps have a strong, sign-like presence, while the lowercase maintains the same geometric logic for a cohesive system. Numerals follow the same rounded-rectangle language, with sturdy forms that prioritize clarity and consistency over calligraphic nuance.