Sans Superellipse Nudaj 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bold Pen Lettering JNL', 'Genesee JNL', 'Lobby Card JNL', and 'School Activities JNL' by Jeff Levine; 'Gemsbuck Pro' by Studio Fat Cat; and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: sports branding, headlines, posters, logos, packaging, sporty, dynamic, techy, confident, energetic, impact, speed, modernity, branding, display, rounded, squared, oblique, compact, chunky.
A heavy, oblique sans with a squared, superelliptical construction: counters and outer curves tend toward rounded-rectangle shapes, and corners are consistently softened. Strokes are thick and even, with minimal modulation, producing dense, blocky silhouettes and small, controlled apertures. The letterforms feel slightly condensed in their internal spacing, with tight joins and robust terminals that keep edges blunt rather than sharp. Overall rhythm is punchy and forward-leaning, with stable geometry and a strong, poster-ready presence.
Best suited to bold headlines, sports and fitness branding, automotive or tech-adjacent promotional work, and punchy packaging where strong silhouettes carry the message. It also works well for logos and short wordmarks that benefit from a forward-leaning, speed-inflected voice. For longer text, it will be most comfortable at large sizes with slightly increased letterspacing.
The tone is fast and assertive, suggesting motion and impact through the consistent slant and compact, muscular shapes. It reads as contemporary and performance-oriented—more “gear and speed” than “editorial refinement.” The rounded corners keep it friendly enough for consumer branding while still feeling tough and competitive.
The design appears intended to deliver an italicized, high-impact display voice built from rounded-rectangular geometry, balancing toughness with approachability. Its consistent stroke weight and softened corners suggest a goal of strong legibility at large sizes while maintaining a modern, engineered aesthetic.
Uppercase forms emphasize squared bowls and counters (notably in B, D, O, P, and Q), while diagonals and joins stay thick and supportive, preserving weight in letters like K, V, W, and X. Numerals follow the same rounded-rectangle logic and look built for high-contrast, large-size settings. Spacing appears designed for display use, with bold shapes that may need extra tracking at smaller sizes to maintain clarity.