Sans Faceted Ofba 9 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Navine' by OneSevenPointFive, 'Gemsbuck Pro' by Studio Fat Cat, 'From the Internet' by Typodermic, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, technical, sporty, retro, space saving, high impact, athletic display, octagonal, angular, chamfered, blocky, condensed.
A condensed, all-caps–friendly sans built from straight strokes and clipped corners, replacing curves with crisp chamfers that create an octagonal, faceted silhouette. Strokes are consistently thick and even, producing a sturdy, high-contrast-on-the-page texture without modulation. Counters tend to be squared-off and compact, and the overall proportions run tall and tight, giving lines of text a dense, efficient rhythm. Numerals and capitals share the same hard-edged construction, with diagonals and joins kept clean and mechanical.
Best suited for display typography where space is tight but presence is needed—headlines, posters, labels, and wayfinding-style graphics. It works well for sports-themed layouts, industrial or tech branding, and bold UI moments such as badges, counters, and navigation titles where crisp, angular forms stay legible at larger sizes.
The sharp facets and uniform weight convey a utilitarian, engineered tone—confident, no-nonsense, and slightly retro in a scoreboard/industrial-signage way. Its condensed stance and hard corners add urgency and impact, making it feel sporty and technical rather than friendly or calligraphic.
The letterforms appear designed to deliver maximum impact with minimal fuss: a condensed footprint, uniform stroke weight, and faceted corners that translate smoothly to bold, reproducible shapes. The likely intent is a modernized, hard-edged display sans that evokes mechanical lettering and athletic numbering while remaining systematic and consistent across caps, lowercase, and numerals.
The design language is highly consistent across the set: rounded forms like O, C, and G are interpreted as multi-sided shapes, and terminals are typically cut flat or on a diagonal rather than softened. The lowercase follows the same geometric logic, reading more like compact, sign-painter block forms than traditional text faces.