Sans Faceted Mija 8 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bio Sans' and 'Bio Sans Soft' by Dharma Type, 'Panton' by Fontfabric, and 'Nudista' and 'Purista' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, techy, sporty, game-like, signage, machined look, systematic geometry, display impact, interface styling, octagonal, chamfered, angular, geometric, sturdy.
A geometric sans built from straight strokes and chamfered corners, replacing curves with crisp planar facets. The forms are blocky and compact with consistent stroke thickness, producing a sturdy, high-impact texture in both display lines and mixed-case settings. Rounds like C, G, O, and Q read as octagonal outlines, while joins and terminals are cut with uniform angled chamfers that keep counters open and edges clean. Numerals and capitals share the same faceted construction, giving the set a cohesive, engineered rhythm.
Works best for headlines, branding, and short blocks of text where the faceted geometry can be appreciated. It is well suited to tech-forward identities, sports and team graphics, product labeling, and packaging that benefits from a rugged, engineered look.
The overall tone is mechanical and contemporary, with a utilitarian edge that feels at home in technical contexts. Its angular cuts and octagonal silhouettes evoke hardware labeling, sports numbering, and arcade or sci‑fi interfaces, projecting a confident, no-nonsense attitude.
The design appears intended to translate a sans-serif structure into a sharp, machined aesthetic by standardizing chamfered terminals and polygonal “round” shapes. The goal is a distinctive, high-clarity display voice that stays systematic and consistent across the character set.
Diagonal strokes are used sparingly and feel structural rather than calligraphic, helping the design maintain a rigid, modular character. The faceting is applied consistently across uppercase, lowercase, and figures, which makes the font read like a unified system rather than a mix of styles.