Sans Superellipse Hidoj 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Bricked' by Cristian Mielu, 'Posterman' by Mans Greback, 'Hornsea FC' by Studio Fat Cat, and 'Morozko' and 'Raskolnikov' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, poster, sports, urban, techno, impact, space-saving, modernity, branding, condensed, blocky, squared, rounded corners, stencil-like.
A heavy, condensed sans with blocky silhouettes built from squared forms softened by small radiused corners. Strokes are largely even, with frequent vertical terminals and tightly controlled apertures that keep counters compact. Curves tend to resolve into rounded-rectangle geometry (notably in C, O, and S), while diagonals appear sparingly and read as sharp, functional cuts (V, W, X, K). Uppercase is tall and commanding; lowercase is simplified and sturdy, with minimal contrast and straightforward joins that prioritize solid texture over delicacy.
Best suited for display settings where a dense, high-impact voice is needed—headlines, posters, event graphics, apparel, and sports or fitness branding. It can also work for short navigational labels or signage where space is tight, but its compact apertures and heavy texture make it less ideal for long-form text at small sizes.
The overall tone is assertive and utilitarian, with a punchy, engineered feel that reads well in bold headlines. Its compressed width and squared, semi-industrial shapes evoke athletic branding, equipment labels, and urban poster typography. The rounded corners prevent it from feeling harsh, keeping the impact modern rather than purely brutalist.
The design appears intended to deliver maximum presence in minimal horizontal space, using rounded-rectangular construction and simplified detailing to keep forms consistent and highly reproducible. It aims for a modern industrial/sport display look that stays legible and cohesive across uppercase, lowercase, and numerals.
The set maintains a consistent rectangular rhythm, producing dense word shapes and a strong “black” typographic color in running lines. Several glyphs show compact, almost slot-like counters and cut-in notches, giving a slightly stencil-like, machined character without becoming fragmented. Numerals follow the same squared, condensed construction for cohesive display use.