Sans Superellipse Wofa 3 is a very bold, very wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, logos, sportswear, futuristic, techy, industrial, sporty, bold, impact, modernity, tech branding, display clarity, distinctiveness, squared, rounded, compact counters, monolinear, streamlined.
A heavy, rounded-rectangle sans with squared curves and superellipse-like bowls. Strokes read largely monolinear, with crisp terminals and frequent horizontal cut-ins that create slot-like counters in letters such as A, B, O, and e. The design emphasizes flat tops and bottoms, tight interior apertures, and a slightly modular construction that keeps curves controlled rather than fully circular. Spacing and rhythm feel sturdy and mechanical, with forms that stay stable in dense settings and maintain clear silhouettes across upper- and lowercase as well as numerals.
This font is best suited to short, prominent text where its geometric personality can read clearly—headlines, posters, packaging, and brand marks. It also fits UI-style titling, game/film graphics, and sports or automotive-themed materials where a strong, engineered feel is desirable. For long passages, its tight counters and dense texture suggest using larger sizes and generous line spacing.
The overall tone is futuristic and engineered, evoking sci‑fi interfaces, motorsport graphics, and product branding with a hard-edged confidence. Rounded corners soften the aggression, but the closed counters and squared geometry keep the voice assertive and functional. It feels designed to signal technology, strength, and speed rather than warmth or tradition.
The design appears intended to deliver a modern, high-impact display voice built from rounded-square geometry. By combining heavy weight with controlled curves and repeated cut-in details, it aims for strong recognition and a distinctly technological, performance-oriented character.
Distinctive horizontal notches and inset counters are a defining motif, giving many glyphs a cut-out, stencil-adjacent flavor without fully breaking strokes. Diacritics are not shown; punctuation beyond an ampersand and period appears limited in the sample. Numerals follow the same rounded-rect geometry, with an especially blocky 0 and compact, display-oriented 2 and 3.