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Serif Normal Mirud 1 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'ITC Benguiat' by ITC (names referenced only for comparison).

Keywords: book text, editorial, headlines, magazines, branding, formal, confident, classic, authoritative, readability, editorial tone, classic authority, heritage styling, strong presence, bracketed serifs, ball terminals, tapered joins, oldstyle figures, calligraphic.


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A robust text serif with strongly bracketed wedge serifs, pronounced stroke modulation, and rounded, slightly cupped terminals that give many letters a soft, sculpted finish. The shapes are broadly proportioned with generous counters and a steady, upright stance, while transitions into serifs are smooth and curved rather than abrupt. Lowercase forms show moderate contrast with lively details—ball terminals on letters like f and y, a two-storey a, and a single-storey g with a distinct ear—creating a rhythmic, traditional texture in paragraphs. Numerals appear oldstyle (text figures) with noticeable ascenders/descenders and the same tapered, bracketed serif treatment as the letters.

Well suited to book typography and editorial layouts where a strong serif presence and comfortable reading rhythm are desired. It also performs well for headlines and subheads that need a classic, authoritative voice, and for brand or institutional materials seeking a traditional, trustworthy tone.

The overall tone reads traditional and editorial, projecting confidence and authority without feeling rigid. Its warm, slightly calligraphic finishing adds a human, bookish character that suits classic publishing contexts.

The design appears intended as a conventional, publication-oriented serif with an emphasis on sturdy color on the page and recognizable classic detailing. Its oldstyle figure styling and rounded terminal behavior suggest a focus on long-form readability and a heritage-informed voice rather than a strictly modern, minimalist look.

In larger sizes the font’s strong serifs and rounded terminals become a defining stylistic feature, while at text sizes the open counters and consistent vertical stress help maintain clarity. The design favors smooth curves and subtle swelling at joins, lending a slightly lively, historic flavor compared with more mechanical modern serifs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸