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Sans Superellipse Gedab 5 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Kwikspeed' by Alphabet Agency, 'Bunday Sans' and 'Bunuelo Clean Pro' by Buntype, 'Malberg' by Eko Bimantara, 'FS Industrie' by Fontsmith, 'Chandler Mountain' by Mega Type, and 'Diamante Serial' by SoftMaker (names referenced only for comparison).

Keywords: headlines, sports branding, posters, advertising, packaging, sporty, urgent, modern, technical, muscular, impact, speed, branding, display, signage, oblique, geometric, compact, square-round, high impact.


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A heavy, oblique sans with squared-off curves and rounded-rectangle counters that give it a superelliptical, engineered feel. Strokes are broadly uniform and terminals are clean and blunt, producing dense, blocky silhouettes that stay smooth through the curves. The uppercase is compact and powerful, while the lowercase keeps a large body and simplified shapes; apertures tend to be narrow and counters are tight, reinforcing a bold, condensed rhythm on the line. Numerals follow the same squared-round construction, reading like solid signage figures rather than delicate text forms.

Best suited for attention-grabbing display settings such as headlines, sports identities, poster typography, and high-impact advertising. It also works well on packaging and labels where a compact, energetic voice is needed and the sturdy forms can hold up in demanding layouts.

The overall tone is fast and forceful, with a forward-leaning stance that suggests motion and competition. Its chunky geometry and squared-round curves feel contemporary and utilitarian, leaning toward performance, machinery, and high-energy branding rather than refinement.

The design appears intended to deliver maximum impact with a streamlined, geometric construction and a built-in sense of speed. By pairing squared-round shapes with a pronounced slant and tight counters, it aims to communicate modernity and performance in a straightforward, highly legible display voice.

The oblique angle is consistent and strong, and the set maintains a disciplined, modular look across letters and digits. The tight interior spaces and compact joins favor short, punchy messages and can feel visually dense at smaller sizes or in long paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸