Sans Superellipse Ogmek 2 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Eurosoft' by Indian Type Foundry, 'Univia Pro' by Mostardesign, 'Celdum' by The Northern Block, and 'Crepes' by cretype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage/ui, techy, retro-futuristic, friendly, industrial, sporty, impact, modernize, soften edges, tech flavor, brand recall, rounded, squared, blocky, geometric, compact.
A heavy, geometric sans built from rounded-rectangle and superellipse forms, with broadly consistent stroke thickness and softly radiused corners throughout. Curves resolve into squarish bowls and counters, giving letters like O, C, and G a compact, capsule-like feel rather than pure circularity. The proportions read slightly extended horizontally with sturdy verticals, and the joins are clean and minimal, producing a solid, uniform rhythm in both uppercase and lowercase. Numerals follow the same softened-square construction, maintaining the same sturdy, high-contrast-from-background presence.
Best suited to display sizes where its chunky, rounded geometry can act as a graphic element—headlines, posters, logos, and packaging. It can also work for short UI labels or signage where a robust, friendly presence and fast recognition are more important than delicate detail.
The overall tone is modern and engineered, blending a utilitarian, industrial solidity with approachable rounded edges. It evokes control panels, consumer electronics, and sporty branding—confident and energetic without feeling sharp or aggressive.
The design appears intended to deliver a bold, contemporary sans with a distinctly superelliptical construction—prioritizing a strong silhouette, consistent rhythm, and a tech-forward, product-like character for branding and display typography.
The superelliptical skeleton creates consistent interior negative space and a strong modular look, especially in rounded letters and digits. The lowercase is simple and functional, matching the uppercase’s compact geometry to keep texture even in longer lines.