Sans Superellipse Pilah 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Press Gothic' by Canada Type; 'Dharma Gothic', 'Dharma Gothic Rounded', and 'Dharma Slab' by Dharma Type; 'Tungsten' by Hoefler & Co.; and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, industrial, assertive, condensed, modern, utilitarian, impact, compression, headline, modernity, clarity, blocky, compressed, compact, uniform, sturdy.
A heavy, tightly condensed sans with blocky, rounded-rectangle geometry. Strokes are consistently thick with minimal modulation, and curves resolve into squared-off superellipse corners rather than true circles. Counters are compact and vertical, terminals are blunt, and joins stay simple, producing a dense, high-impact texture. The lowercase keeps a tall, upright stance with short extenders, while capitals read as rigid and architectural, emphasizing verticality and tight spacing.
Best suited to headlines, display typography, and short, emphatic copy where a compact footprint and maximum impact are needed. It works well for branding, sports and event graphics, packaging callouts, and bold editorial titling. For longer text or small sizes, its dense counters and narrow forms may reduce clarity compared with more open display faces.
The tone is forceful and no-nonsense, with an industrial, poster-ready presence. Its compressed proportions and solid black mass feel urgent and authoritative, leaning toward contemporary sports, street, and headline energy rather than refined or literary voices.
The design appears intended to deliver a modern, space-efficient headline sans that stays highly legible through simplified construction and consistent stroke weight. Its superellipse-based curves and blunt terminals prioritize uniform color and punchy presence, optimizing it for attention-grabbing display use.
Round letters (like o/c/e) appear more like rounded rectangles, which helps maintain uniform darkness across lines. The numerals follow the same compressed, block-first logic, making them strong for short numeric hits. Because of the dense shapes and tight internal space, it visually prefers larger sizes where counters and apertures have room to breathe.