Sans Superellipse Pimuy 5 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic', 'Dharma Gothic P', 'Dharma Gothic Rounded', 'Kaneda Gothic', 'Rama Gothic', and 'Rama Gothic Rounded' by Dharma Type (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, sports branding, industrial, retro, assertive, sporty, utilitarian, space saving, high impact, signage clarity, systematic geometry, condensed, blocky, sturdy, compact, tight tracking-friendly.
A compact, condensed sans with heavy, uniform strokes and softly rounded corners that read like squared-off superellipses. The forms are built from straight verticals and horizontals with minimal modulation, producing a dense, poster-like color. Counters are small and often rectangular, with clipped-looking apertures that keep the silhouette tight. Curved letters such as C, O, and S lean toward rounded-rectangle geometry, while joins and terminals stay blunt and clean for a highly consistent rhythm across caps, lowercase, and numerals.
Best suited for headlines, subheads, and short-to-medium display text where space is limited and impact is needed. It works well for signage, labels, packaging, event promotions, and sports or industrial branding systems that benefit from a compact, high-energy typographic voice.
The overall tone is bold and no-nonsense, with an industrial, slightly retro flavor that feels at home in signage and headline systems. Its compressed proportions and sturdy shapes convey urgency and impact, suggesting athletic, automotive, and utilitarian contexts.
The design appears intended to maximize punch and legibility in tight horizontal space by combining condensed proportions with rounded-rectangle construction and uniform stroke weight. Its consistent, block-forward geometry suggests a focus on strong silhouettes and efficient, repeatable shapes for bold communication.
In text, the narrow widths create strong vertical emphasis and allow long lines to stay compact, but the tight apertures and dense counters push it toward display sizes. The numerals share the same squared, condensed construction, giving figures a unified, authoritative presence in layouts.