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Free for Commercial Use

Sans Other Ihtu 8 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Ciutadella', 'Ciutadella Rounded', and 'Isotonic' by Emtype Foundry; 'Panton' by Fontfabric; and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, sports branding, apparel graphics, packaging, industrial, tactical, sporty, mechanical, assertive, stencil styling, impact display, rugged branding, speed emphasis, stencil-cut, slanted, condensed feel, chunky, high-impact.


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A heavy, slanted sans with compact proportions and strongly simplified geometry. Strokes are thick and uniform, with angular joins and squared terminals that keep the silhouette firm and mechanical. A defining feature is the repeated vertical stencil break running through many rounded and closed forms (such as C, G, O, Q, S and several numerals), creating a segmented, cut-out look while maintaining solid overall mass. Counters are relatively tight and apertures are controlled, producing a dense texture that stays consistent across capitals, lowercase, and figures.

Best suited to large sizes where the stencil cuts read as intentional detailing—headlines, posters, sports and team graphics, apparel, and bold packaging. It can also work for short labels or impact-driven UI moments where a rugged, coded aesthetic is desired, but it is less ideal for dense body copy due to the heavy weight and internal breaks.

The stencil interruptions and hard-edged construction give the face a utilitarian, industrial tone—suggesting equipment markings, athletic graphics, or tactical labeling. The bold slant adds speed and urgency, making the overall voice energetic and forceful rather than conversational.

Likely designed to merge a contemporary italic sans framework with stencil-like segmentation for a rugged, high-impact display voice. The goal appears to be strong shelf and poster presence with an industrial or tactical flavor while retaining clean sans proportions.

The stencil breaks are applied selectively, so some letters remain solid while others are split, adding visual cadence and a distinctive patterning in words. In longer text the segmented bowls create prominent internal highlights, so spacing and size will strongly influence readability and the perceived rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸