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Free for Commercial Use

Sans Superellipse Garor 6 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Faculty' by Device, 'Taz' by LucasFonts, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, punchy, dynamic, confident, friendly, attention, momentum, impact, approachability, emphasis, rounded, oblique, compact, soft corners, heavy.


Free for commercial use
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A heavy, oblique sans with rounded, superelliptical contours and soft-cornered terminals. The letterforms are compact and muscular, with broad curves, tight apertures, and simplified internal counters that stay open enough at display sizes. Strokes maintain an even, low-contrast feel, while the strong slant and slightly compressed proportions create forward motion. Numerals and capitals share the same robust, rounded geometry, giving the set a cohesive, impact-first texture.

Best suited to short, high-impact text such as headlines, posters, banners, and logo lockups where the bold, slanted silhouette can do the work. It also fits sports and fitness branding, product packaging, and promotional graphics that benefit from a compact, energetic voice. For longer copy, it will perform more reliably in larger sizes with careful tracking to preserve clarity.

The overall tone is energetic and assertive, with a sporty, headline-ready presence. Rounded shapes keep it approachable, while the aggressive weight and slant add urgency and momentum. It reads as contemporary and promotional, suited to attention-grabbing messaging rather than quiet neutrality.

This design appears intended to deliver maximum impact with a modern, rounded sans structure, combining strong weight with a pronounced slant for speed and emphasis. The softened corners and superelliptical curves suggest an aim for friendliness and mass appeal while retaining a forceful, advertising-forward presence.

The rhythm is dense and dark, with consistent rounding across curves and joins that helps maintain uniform color in short phrases. The italic angle is prominent enough to be a defining feature, and the tight counters suggest it will feel strongest in larger sizes and with generous spacing when used for longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸