Sans Superellipse Utgam 3 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype (names referenced only for comparison).
Keywords: headlines, logotypes, posters, wayfinding, packaging, techy, modern, industrial, confident, friendly, modernization, approachability, impact, clarity, tech feel, rounded corners, squared curves, extended, monoline, geometric.
A geometric sans built from squarish, superellipse-like bowls and rounded-rectangle counters. Strokes are monoline with low contrast and crisp terminals, producing a sturdy, high-impact texture. Uppercase forms are broad and open, with generously rounded corners on C/G/O/Q and similarly squared curves in B/D/P/R. Lowercase is compact and utilitarian, with a single-storey a and g, short ascenders, and mostly straight-sided stems; apertures stay fairly open for clarity at larger sizes. Numerals continue the rounded-rectangle theme, with a rectangular 0 and wide, stable silhouettes overall.
This font is best suited to display work where its wide proportions and rounded-rectangle construction can read clearly and feel intentional—headlines, brand marks, product identities, packaging, and signage. It also works well for interface titles, dashboards, and tech-forward marketing where a robust, geometric voice is desirable.
The overall tone reads contemporary and engineered, balancing a technical, UI-like precision with softened corners that keep it approachable. Its wide stance and firm rhythm feel assertive and functional, lending a clean “digital hardware” or wayfinding energy without becoming cold.
The design appears intended to merge geometric construction with softened corners, creating a modern sans that feels both precise and friendly. Its extended width and strong, even strokes prioritize impact and legibility in short bursts of text, suggesting a focus on branding and display communication.
Round forms lean more toward squircle geometry than true circles, giving counters a distinctive boxy softness. The stroke endings stay consistent and clean, and the set maintains a uniform, modular feel across letters and figures.