Sans Superellipse Utgat 4 is a bold, very wide, low contrast, upright, tall x-height font visually similar to 'FM Bolyar Sans Pro' by The Fontmaker and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui display, friendly, modern, techy, playful, confident, impact, approachability, modernity, clarity, brand voice, rounded, geometric, soft corners, blocky, open counters.
A heavy, rounded geometric sans with squared-off curves that read as superelliptical—round forms feel like softened rectangles rather than perfect circles. Strokes are monolinear and sturdy, with broad proportions and generous widths across most letters. Terminals are clean and typically horizontal or vertical, and the counters are open and roomy, helping clarity at display sizes. The lowercase shows a single-storey “a” and “g” and generally simplified constructions, while the numerals follow the same broad, rounded-rectangle logic for a consistent, solid texture.
Best suited for headlines, large text, and brand marks where width and weight can create strong impact. It also fits UI or product display typography when a friendly, geometric voice is desired, and works well on packaging or signage where bold, rounded shapes aid quick recognition.
The overall tone is contemporary and approachable, combining a tech-forward geometric structure with softened corners that keep it friendly. Its bold presence feels confident and a bit playful, suited to brands that want to appear modern without being cold.
The design appears intended to deliver a modern geometric sans optimized for high-impact display use, using superelliptical curves and simplified lowercase forms to balance assertiveness with approachability. It prioritizes strong silhouette, consistent geometry, and clear counters for legibility at larger sizes.
The rhythm is built from wide letterforms and large internal spaces, producing an even, emphatic color in headlines. Round letters like O/Q and bowls in B/P/R emphasize the squarish curvature, while straight-sided forms (E/F/H/N) reinforce a sturdy, engineered feel.