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Free for Commercial Use

Sans Superellipse Hugid 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Miura' by DSType, 'Tradesman' by Grype, 'Neusa Neu' by Inhouse Type, 'Forgotten Futurist' by Typodermic, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, retro, assertive, functional, impact, clarity, durability, branding, rounded corners, squared bowls, stencil-like, compact, blocky.


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A heavy, block-built sans with squared proportions and prominently rounded corners, producing a superellipse/rounded-rectangle feel across curves and counters. Strokes are uniform and dense, with broad, flat terminals and minimal modulation, giving the letters a carved, sign-ready solidity. Curved forms (like O, C, G, S) read as squarish rounds, while diagonals (V, W, X, Y, K) are sharply cut and tightly joined. Spacing and sidebearings appear sturdy and compact, supporting large, headline-oriented setting with strong silhouette recognition.

Best suited to short, high-impact text such as headlines, posters, apparel graphics, sports identities, and bold packaging. The chunky shapes and rounded corners hold up well for logos, badges, and signage where immediate readability and strong presence matter more than delicate texture in long passages.

The overall tone is tough and confident, with a utilitarian, industrial edge that also nods to classic athletic and scoreboard lettering. Its rounded corners soften the mass just enough to keep it friendly, but the dominant impression remains bold, loud, and attention-grabbing.

The design appears intended to deliver maximum impact with a compact, engineered silhouette—combining squared geometry and rounded corners for a robust, contemporary-industrial display voice. Its consistent, simplified construction suggests a focus on clarity and reproducibility across print and large-format applications.

Distinctive notches, ink-trap-like cuts, and squared counters show up in several glyphs, adding a slightly engineered, machined character. Numerals are broad and punchy with generous interior openings for the weight, staying highly legible in large sizes. The lowercase maintains the same blocky construction, keeping rhythm consistent between cases in display use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸