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Sans Superellipse Huduy 7 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Cru' by Colophon Foundry, 'Cord Nuvo' by Designova, 'Armetica' by Hsan Fonts, 'Neusa Neu' by Inhouse Type, 'Editorial Feedback JNL' by Jeff Levine, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, sports branding, industrial, sports, retro, assertive, compact, space saving, high impact, brand presence, strong silhouette, blocky, squared, rounded, condensed, sturdy.


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A compact, heavy sans with a squared, superelliptical construction: rounds read as rounded-rectangle bowls, with broad verticals and tight counters. Terminals are mostly flat and blunt, and curves transition quickly into straight segments, giving letters a blocky, engineered feel. The lowercase is sturdy and utilitarian with short ascenders/descenders and simple, closed forms; punctuation and numerals match the same dense, solid color. Overall spacing is tight and the rhythm is vertical-forward, producing a strong, uniform texture in lines of text.

Best suited for headlines, short bursts of copy, and high-impact typographic blocks where a dense, confident texture is desirable. It also fits signage, labels, and packaging systems that need compact, readable forms with a strong graphic stamp.

The tone is forceful and pragmatic, with a poster-like presence that evokes athletic branding and industrial labeling. Its compact shapes and chunky curves create a confident, no-nonsense voice that can read as both retro and contemporary depending on color and layout.

The design appears intended to maximize impact in limited horizontal space by combining condensed proportions with squared, rounded forms that keep strokes bold and counters compact. Its consistent, engineered geometry suggests a focus on branding and display settings where strong silhouettes and uniform texture matter most.

The design’s rounded-rectangle geometry is especially noticeable in bowls and counters, which stay compact and slightly squared rather than fully circular. At larger sizes it delivers a bold, graphic silhouette; at smaller sizes the tight apertures and counters can become visually dense, so it benefits from generous size or spacing when used in longer strings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸