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Free for Commercial Use

Distressed Ekno 1 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Giriton' by Hazztype, 'Noir' by Mindburger Studio, 'Gravita' by TipoType, and 'Captura Now' and 'Captura Now Core Edition' by TypeThis!Studio (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, vintage, industrial, handmade, quirky, add texture, evoke nostalgia, create impact, signal handmade, thematic display, rounded, stencil-like, speckled, chunky, friendly.


Free for commercial use
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A heavy, rounded sans with compact proportions and softly squared curves. Strokes are consistently thick with minimal modulation, and counters are generous enough to stay open at display sizes. The defining texture is a dense field of small circular pinholes throughout the letter interiors, creating a perforated, worn-ink look while keeping outer contours mostly clean. Terminals are blunt and simplified, giving the alphabet a sturdy, sign-ready silhouette with a slightly irregular, handmade rhythm.

Best suited to display work such as posters, headlines, labels, and branding where the speckled perforation can be appreciated. It also fits playful packaging, craft-themed graphics, and retro-inspired identity elements, especially in short phrases or large-scale typographic compositions.

The overall tone feels playful and nostalgic, like retro signage or packaged-goods lettering that has been printed, stamped, or weathered. The dotted interior texture adds a crafty, workshop character—equal parts fun and rugged—making the voice feel casual, approachable, and a bit quirky.

The design appears intended to combine a friendly, rounded display sans with an integrated distressed/perforated texture to deliver instant character without relying on outlines or additional effects. The consistent dotting suggests a deliberate “printed-through-a-screen” or “aged stamp” aesthetic aimed at attention-grabbing, thematic typography.

The perforation pattern is consistent across uppercase, lowercase, and numerals, so texture becomes the primary stylistic hook. Rounded joins and wide curves keep the forms readable despite the interior distressing, but the busy texture will visually intensify at smaller sizes or in long text blocks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸