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Free for Commercial Use

Serif Flared Rotu 5 is a very bold, normal width, high contrast, upright, tall x-height font visually similar to 'Outlast' by BoxTube Labs, 'Isotonic' by Emtype Foundry, 'EFCO Osbert' by Ilham Herry, and 'Karibu' by ROHH (names referenced only for comparison).

Keywords: headlines, posters, book covers, mastheads, packaging, authoritative, vintage, dramatic, editorial, robust, impact, heritage, display, authority, branding, bracketed serifs, flared strokes, ball terminals, teardrop terminals, ink-trap feel.


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A very heavy, high-contrast serif with flared stem endings and strongly bracketed serifs that create a sculpted, chiseled silhouette. Curves are broad and full, with round counters and pronounced teardrop/ball-like terminals on several lowercase forms, while joins and inner corners show tight, triangular cut-ins that add bite. The rhythm is dense and compact in text, with tall lowercase proportions and sturdy vertical emphasis; capitals feel wide-shouldered and blocky, supported by sharp serifs and crisp cross-strokes. Numerals are bold and display-forward, matching the strong stroke modulation and firm, carved detailing.

Best suited for headlines, titles, and short blocks of text where its bold color and flared serif detailing can be appreciated. It works well for branding, packaging, and cover design that aims for a classic, authoritative mood, and can serve as a distinctive display companion in editorial layouts.

The overall tone is commanding and old-world, with a classic editorial presence that reads as traditional yet theatrical. Its weight and flared serif treatment suggest a heritage, poster-like voice—confident, emphatic, and slightly ornate without becoming delicate.

This font appears designed to deliver maximum impact with a traditional serif foundation, combining strong contrast and flared, bracketed endings to create a carved, heritage-inspired texture that remains highly legible at display sizes.

The design mixes smooth, rounded bowls with angular interior cuts, giving a subtle engraved/inked impression at joins and terminals. In the sample paragraph, the heavy color produces strong impact but can feel tight in longer lines, favoring larger sizes or generous spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸