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Free for Commercial Use

Serif Flared Rohy 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Sole Sans' by CAST, 'Ephemera Egyptian' by Ephemera Fonts, 'Muller Next' by Fontfabric, 'Goodrich' by Hendra Pratama, 'DynaGrotesk' by Storm Type Foundry, and 'Ligurino' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, editorial titles, packaging, brand marks, poster, vintage, assertive, dramatic, sturdy, impact, authority, tradition, compactness, display clarity, compact, bulky, bracketed, tight spacing, high color.


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A compact, heavy serif with strongly bracketed, flared terminals that swell into wedge-like serifs. Strokes are broadly uniform in thickness, creating a dense, high-ink texture, while curves remain rounded and full. The capitals feel blocky and monument-like, with wide verticals and short internal counters; the lowercase keeps similarly stout proportions with robust bowls and a straightforward, legible construction. Overall rhythm is tight and punchy, with crisp joins and a consistent, emphatic silhouette across letters and numerals.

Best suited to posters, headlines, mastheads, and other short-form display typography where its dense weight and flared serifs can carry impact. It can also work for packaging, labels, and logo wordmarks that want a traditional, authoritative tone. For longer text, it benefits from generous leading and careful tracking to prevent the already-compact forms from feeling crowded.

The font projects a vintage, headline-driven confidence—bold, insistent, and slightly old-world. Its thickened serifs and compact proportions give it a traditional, editorial gravity, while the heavy color makes it feel theatrical and attention-seeking in display settings.

The design appears intended to deliver maximum presence in a compact width while preserving a classic serif voice. Its flared, bracketed terminals and broad, uniform strokes emphasize solidity and readability at display sizes, aiming for an assertive, vintage-leaning typographic character.

Serifs read as flared and triangular rather than thin and hairline, which reinforces the sturdy, carved feel. Numerals share the same weight and compactness, helping mixed text maintain an even, forceful presence. In longer lines the dense texture remains strong, suggesting it is most comfortable when size and spacing can be controlled.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸